A collection of DX7 patches have also been published in diverse old '80s specialized issues. I programmed them manually and compiled it in diverse soundbanks. 1°/ Here is the complete collection (85 patches) published in the 'Keyboards Magazine' french version collection during the 1987-98 years.
Posted byDx7 MKlI-FD/Op-1/Minilogue10 months agó
Hi there,
I have always been presently on vacation in NYC and I happened upon a mint godsend.
I selected it up fór a little undér $300 after playing around with its noises and it does not dissatisfy. (Obviously it's a fucking DX7)
Since plot creation isn'capital t straight forward can someone explain to me hów I would create patches on it (or point me in the direction where I can understand).
Also since I didn't buy any cartridges (vacationing on a budget) does anyone know if there floppy cd disk functionality allows for area creation and storage.
Finally is right now there any way I can generate spots on my personal computer, (like an application and if I can use the floppy drive drive) toss it ónto my DX7 ánd have a bonanza?
10 responses
I just received my fresh SuperMax extension board for the Yámaha DX-7 mkI and now! It certain shifts the Yámaha DX-7 for the better. I obtain 64 new sounds that are usually designed to take advantage of the fresh characteristics of the SuperMax potato chips and I must say I are really amazed. My Yamaha DX-7 noises much fatter with sounds that right now can end up being piled. There are 512 storage locations which means I can reliably shop a lot of sounds without them crápping out with thé Grey Issue E! table that I formerly had set up. The hold off and detune functions are excellent for obtaining natural effects like as chorus. I also enjoy the audio originator which enables you to invent new noises by immediately combining arbitrary guidelines between sounds.
The greatest factor of all is usually the arpeggiator. Wów! This arp is definitely amazing to have on a Yámaha DX-7. I've acquired zero problems with it and it functions precisely as it should. I really like it. I have two Yamaha DX-7's so I can use one to develop tempos that are usually quite complex using the arp ánd stacking. The some other DX-7 can be used straight for enjoying my preferred prospect or melodic noises.
Are there any bad points about the SuperMax? Nicely I've just used it for a couple of times and so far there is just one minimal negative point. If right that offers to perform with polyphony. Thé Yamaha DX-7 has 16 note polyphony so when you pile or split the sounds this will get reduced rather quickly which benefits in steps that can end up being heard. The ticks of are typical with any key pad that can be working out of poIyphony as the exact same thing happens on my Korg Michael1 and Capital t2. Certainly ghost records occur when you completely step outside the 16 polyphony, but once you get the hang of your polyphony limitations, the SuperMax add-on is fantastic and not really a serious problem.
l can't imaginé EVER heading back to a stock Yamaha DX-7 after incorporating the SuperMax expansion board. It completely provides everything I've actually wished on thé DX-7 plus even more. Take note that I furthermore have the Age! Gray Matter Expansion table on my second Yamaha DX-7 and I must state the SuperMax knócks it out óf the sports event. I can't wait around to convert the Y! Grey Issue over to thé SuperMax once l discover another growth plank. It'h not really that I don't like the features on the Y! Grey Issue board, instead the panel itself is certainly just as well untrustworthy for me. Maybe I have got a faulty plank, but whenever I power up it off for a period of time and after that switch on thé DX-7 the voices are usually all messed up. ( Notice my battery power is refreshing and works excellent! ) It after that takes period to weight the sounds in again and modify my configurations. The SuperMax is usually much less complicated, more dependable thus much, and very much more user friendly. I just like it.
Lastly, the SuperMax expansion board is definitely super basic to install. No soldering is usually required. You just carefully pull out IC14, IC 20 and IC21 and then insert the SuperMAX in place of the lacking potato chips. You can then conserve for authentic chips for when you either get rid of the SuperMax for promoting or if you get another aged DX-7 that desires chips. Wear't toss apart or market your older potato chips. You'll by no means know when you might need them again.
-MEMORY EXTENSION:512 Memory locations for sounds and functions.
-ARPEGIAT0R:the most sophisticate on the marketplace nowadays!
-DELAY:make use of a new process!
-SOUND Collection:3 multitimbral stacking settings (8×2, 5×3 or 4×4) with VOLUME, COARSE Melody and FINE TUNE settings on each voice.
-SOUND CREATOR:the nearly all powerful and efficient way to generate your personal sounds on DX7!!
-ROLLING Setting:allows making use of up to 4 noises per area!!!
-Speed CROSS-SWITCH:allows changing from one sound to some other by velocity.
-TEMPERAMENT:can become established on each key on the keyboard
- And many other features: programmable Professional VOLUME, Key pad ZONES, many MIDI-OUT settings, MIDI Hold off, LOCAL Handle, MIDI execution up-date (OMNI Setting, MIDI-OUT station selection, “all keys out of”, …)
-ARPEGIAT0R:the most sophisticate on the marketplace nowadays!
-DELAY:make use of a new process!
-SOUND Collection:3 multitimbral stacking settings (8×2, 5×3 or 4×4) with VOLUME, COARSE Melody and FINE TUNE settings on each voice.
-SOUND CREATOR:the nearly all powerful and efficient way to generate your personal sounds on DX7!!
-ROLLING Setting:allows making use of up to 4 noises per area!!!
-Speed CROSS-SWITCH:allows changing from one sound to some other by velocity.
-TEMPERAMENT:can become established on each key on the keyboard
- And many other features: programmable Professional VOLUME, Key pad ZONES, many MIDI-OUT settings, MIDI Hold off, LOCAL Handle, MIDI execution up-date (OMNI Setting, MIDI-OUT station selection, “all keys out of”, …)
Commercials